Sunday, December 13, 2009
Friday, December 11, 2009
Thursday, November 26, 2009
Saturday, November 21, 2009
Good
Friday, November 20, 2009
Thursday, November 19, 2009
Sunday, November 15, 2009
Wednesday, November 11, 2009
Tuesday, November 10, 2009
Ballerina
La Gravida
Friday, October 30, 2009
Self Portrait
Monday, October 26, 2009
Thursday, October 1, 2009
Wednesday, September 30, 2009
Sunday, September 27, 2009
Sunday, July 12, 2009
Raising Awearness
Raising Awearness is a business baby shower for the Bear Threads and Aliakim brainchild, Mikaila Brown. Aliakim, Inc. is a fashion line designed to use the aesthetic power of fashion and inspiration from social activism as a means to empower women and Bear Threads, Inc. is an educational program that brings impoverished youth a mouthpiece with which to voice the concerns they hold in their communities around the world, again using fashion to do so. This party was held last night at Deluxe Arts Gallery in Wynwood, FL and featured a fashion show, two dj's and a drummer, a step and capoeira dance, and a live painting event by artists Natalie Almanza, Max Marin, Adrian Molina and myself.

Above, Communal drawing by event attendees.
Below, Live painting table.
For this event, I produced 4 paintings, 6 sculptures, designed 4 box decorations and organized the live painting. I don't think I've ever been more productive and I feel very good about it. I've gotten a taste of what I'm capable of and it along with the work process feels like a tremendous hunger pang. Work or no work, I think I will always feel like a starving artist.
Untitled, plaster & joint compound cast. Bag design by Mikaila Brown.
Untitled, plaster & joint compound cast. Bag design by Mikaila Brown.
Untitled, plaster & joint compound cast. Bag design by Mikaila Brown.
Untitled, plaster & joint compound arm & grenade cast.
Untitled, plaster & joint compound. Bag design by Mikaila Brown.
"Bear Threads" acrylic and thread on canvas, hand stitched 9" x 12"
"Aliakim" acrylic on canvas 11" x 14"
"Afrikim" acrylic on plaster cast 9" x 10"
Untitled, acrylic on canvas 18" x 24"
This is the one I painted live. I don't like this one as much as the others, but oh well.
2 of the 4 box decorations I made.
Above, Communal drawing by event attendees.
Below, Live painting table.
For this event, I produced 4 paintings, 6 sculptures, designed 4 box decorations and organized the live painting. I don't think I've ever been more productive and I feel very good about it. I've gotten a taste of what I'm capable of and it along with the work process feels like a tremendous hunger pang. Work or no work, I think I will always feel like a starving artist.
This is the one I painted live. I don't like this one as much as the others, but oh well.
2 of the 4 box decorations I made.Wednesday, April 29, 2009
Drawings, etc.
I realize I've been neglecting this blog. I've been busy with finals and some creative projects that I'm looking to complete during the summer. Here's some new work.
It's a squashed spider that I found to be aesthetically pleasing in a dark way. I even drew the guts, to be smugly grotesque.
I'm not sure if I'll add this to my portfolio. I think it's a good representation of varying shades and line technique, but something about it says I'm an immature and underdeveloped artist. It just feels like it could have came out of some 12 year old's portfolio.
Untitled, Graphite Drawing
This was drawn from a real life observation of my dad trying to fix a broken window motor. It's still broken, which makes this picture even more humorous to me. He worked on it for hours. Poor Daddy.
Untitled, Acrylic on Canvas
This was the first time I used dammar varnish on a painting. I like how it finished the painting. I think my acquaintance with dammar varnish will soon flower into a respectable relationship. There I go, being fond of inanimate objects again.
This was drawn from a real life observation of my dad trying to fix a broken window motor. It's still broken, which makes this picture even more humorous to me. He worked on it for hours. Poor Daddy.
This was the first time I used dammar varnish on a painting. I like how it finished the painting. I think my acquaintance with dammar varnish will soon flower into a respectable relationship. There I go, being fond of inanimate objects again.
I don't know this woman. When I draw faces, I usually just make them up. I'm planning a creative project where I draw a series of characters over and over again. It'd be easier if I used real people, but I'm thrilled at the thought of letting my imagination run wild on canvas.
Untitled, Oil Pastel on Paper
It's a dead bird. I wanted to try something different from doing portraits with oil pastel.
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